Monday, October 10, 2011

October 13- Fall Mountain Vista Paint Along

At this class I plan to hand out a printed photograph you can use for your painting, the same one I will use for my demonstration. This means that I need to receive an email from you CONFIRMING that you're coming to class at least one day in advance, or I won't have a photo for you to use! 

I have a beautiful shot of a grand vista in Colorado with some very interesting challenges in it: distant aspen-dappled mountains, a blue lake, and large pines and aspens in the fore. I’ll pass out the photo at class and lead a discussion on how to solve the problems. 

Bring your materials and come ready to explore what you think will work. I'll be working in PanPastels and sticks on Pastelmat paper, but you're more than welcome to bring any medium. The image is horizontal, and you may use any size paper or canvas you like, but it's in the standard 8" x 10" or 16" x 20" format.

This is more of a composition, design and color theory class than an actual "paint along"--but it's a close as 
I get to that, so come on along and let's give it a try together!

As always, the class is $25.00 payable at the door, and this week I need your RSVP to provide a photograph for you. 

The studio opens about 11:00, and class is from 11:30-2:30.

See you Thursday!

Colorful Aspens class results

Aspens, 12" x 7", pastel

At last week's class we took a closer look at the anatomy of these lovely aspen trees, examined the bark a little, and discussed how to paint the light, leafy foliage and sky holes. Above you can see my demonstration painting, completed in the course of that day.

I cropped it and saturated the color of the original photo, blurring the tree behind it so I wouldn't be tempted to paint too much detail there. I removed the scanty little trees in the foreground, and reshaped the foreground considerably, as you can see. I never meant to copy the photo--in fact, it only launched my thinking and helped me to show the students how to begin the drawing/painting process. Very soon I brought to it the memory I have of the lively look of these lovely trees that shimmer in the breezes. For the purposes of our demonstration I wanted to draw near enough to show a bit about how to paint the bark and some of the details of foliage.

My best advice, when painting taller trees particularly, is to find the entire outside geometric shape of the foliage and trunk. In this case I began with a long, slim oval. If a few leaves protrude beyond the edge of that initial shape it's no problem, but encompass the entire top-to-bottom, side-to-side shape in essence. In this case I let the treetop go off the page and shrunk the trees behind it for more of an organic sense of perspective.

The light colored bark is diagnostic, but please don't use too much white to paint it. Find many colors that may be combined to create 'gray', the color that really best describes this bark, both in the sunlight and shadow. Don't pick up your standard, everyday gray. Locate the darker (not black) striations in areas where there might be stress, such as where branches protrude or the tree flexes in the wind.

Foliage is open and leafy, with the 'balloons' often elongated and loose. (See the chapters on how to paint trees and how to paint foliage for further information.) Use a characteristic rounded shape to describe aspen leaves, utilizing the 'haiku' approach at the intersections of the balloons of foliage, the sky or background. Details should be implied, not over-described.The color of the foliage can be almost a rainbow, with emphasis on warm, pale yellows, oranges and greens. Flavor those colors with lavender or magenta underneath, to give *pop* to the colors, relying on the blue sky behind the oranges for the same.

Sky holes shouldn't be mechanical, large-medium-small holes where the balloons intersect, but should be well designed, rhythmic and visually interesting. These openings give the tree dimension and help to lead the eye around the tree. Smaller gaps are slightly darker in value (but the same color) as the sky, because of intervening small branches.

I hope everyone is having fun painting these colorful, lively trees.

Keep going, gang!